An ad (most of which is blatantly ripped off from a vintage 1930s Iron Fireman brochure) that will be running in the LA Printers Fair Show Guide coming up in October. Featured type: the wonderfully dimensional Valuco by Aesthetic Apparatus, and Berber by Letterbox.
The Printing Industries Association of Southern California (PIASC) is the parent organization that sponsors much of the International Printing Museum‘s activities. Each year, PIASC hosts Graphics Night, a gala event at which Southern California printers congregate and schmooze, among other more important things. Graphics Night also features an awards ceremony, where best-of-industry printing and print […]
Upcoming all-metal Karnak type specimen giveaway for The Ludlow Project. Stay tuned…
[singlepic id=605 w=500] The Duro Decals brand, which still exists today, has been knocking out good, wholesome, sturdy display type and lettering (in decal, sign, and stencil form) since 1938. The Chicago-based company begat “Duro Dan,” their quirky advertising mascot, a sort of elvish, mustachioed gnome-like character that touted Duro’s wares during the middle of […]
On Saturday, November 12, I gave a brief presentation at the International Printing Museum about a selection of typefaces that were designed by Robert Hunter Middleton for the Ludlow Typograph, a letterpress linecasting machine (for which we just so happen to be doing a Kickstarter Campaign). Focusing on the idea of “typographic influence,” I have […]
[singlepic id=573 w=500 float=none] [singlepic id=574 w=500 float=none] [singlepic id=575 w=500 float=none]Every design project is a collaboration. Successful projects take two to tango; the best results happen when client and designer each bring something unique and important to the table. Working with Eli Holtman of the CPM Group (Conscientious Property Management) in Narberth, Pennsylvaia is […]
One of the ongoing projects we’ve been working on at the International Printing Museum has been The Ludlow Project, an effort to augment our collection of Ludlow matrices to be as complete as possible. Months ago, we decided to bring the campaign to Kickstarter, where there have been a significant number of successful letterpress-themed projects. […]
[nggallery id=28] This one-off sailor jacket and canvas tote bag was emblazoned with the wordmark we assembled, inspired by one of the best boat names ever. Typefaces used are Blaktur, the over-the-top Germanic “fett” Blackletter by House Industries, and Loupot, styled after the lettering of Charles Loupot, a prominent mid-20th-century French poster artist.
I’ve been on a bit of a “ribbon lettering” kick lately. For this brochure/identity design, I was heavily inspired by a number of different sources, both old and new. I wanted to conjure the notion of “link,” without using a cliché chain illustration in the process. The idea of roads and paths intersecting felt apropos […]
[singlepic id=109 w=200] A reader wrote to me today to find out more about how the airbrush effects were achieved in the Gallatin “Listening to Wine” poster design. The design had been based on the feel of many wonderful posters by Adolphe Mouron Cassandre, whose dramatic shading effects defined an era of 20th century advertising […]