Virtual tour of the Oscar Mayer Wienermobile

The Oscar Mayer Wienermobile came to a parking lot near me today, and I was fortunate enough to sneak in a PictureBubble° panorama (click to view) before it headed off to spread joy and hot dogs to other parts of America.

[Via PictureBubbles°]

Tags: Oscar Mayer Wienermobile, photography, PictureBubbles

Clem Snide “The Meat of Life” CD

I was fortunate to be asked to provide some design and layout for Eef Barzelay and Clem Snide’s forthcoming album, The Meat of Life, due out on February 23. The painting was done by my very talented friend Jen Uman, who has also posted some information about her process on her blog. The album is fantastic too—check it out when it’s available.

Tags: album art, CD, Clem Snide, packaging, printing

Seattle World’s Fair Platter

Souvenir platter from the Century 21 Exhibition / 1962 Seattle World’s Fair, scored on eBay.

[View with PicLens]

 

Tags: 1960s, lettering, logo, mid-century, retro, Seattle, type, typeface, typography, vintage, World's Fair

Graphic Artists Guild LA Meet & Greet Follow-Up

The Graphic Artists Guild LA Area Meet & Greet went swimmingly, thanks to everybody who attended! I’ve created a Flickr group for Graphic Artists Guild events:

Tags: Graphic Artists Guild, Los Angeles

Manzanar Sign Follow-Up

Akio Matsumoto, commercial artist. Photo by Ansel Adams.

After I posted my article about the Manzanar War Relocation Center’s entrance sign, I received this email:

Josh:

I ran across your Dec 24 entry regarding the Manzanar relocation sign. My father, who was interned there, painted the sign.  He passed away four years ago but was a graphic artist who did a lot calligraphic work (even before being relocated).  Ansel Adams took several pictures of him (see this link).

He had many books containing various fonts. I donated many of them to the Cerritos Library when he passed away.  However, I don’t think that the font he used for the Manzanar sign was in them since he wasn’t able to take much with him to the relocation center.

FYI:  Another person who worked in the Manzanar sign shop was Jack Hirose (see this link).

Regards,
Mark

So this information, frankly, changes a lot about what I had originally hypothesized. For one, unless Mr. Matsumoto was told to use a specific lettering style, it was probably his choice to use the blackletter face. And if so, it’s more likely that it was an effort towards beautification, rather than propaganda. Many of those who were forced to live at Manzanar had created gardens, murals, and other creative works to improve the look and feel of what was otherwise a barren and austere place. I suppose then that the “Alpine Resort” feel could have been closer to what the artist was going for, not for propaganda, but in a “making-the-best-of-it” sort of way.

Thanks very much to Mark Matsumoto for sharing his father’s story.

Tags: 1940s, font, history, lettering, Manzanar, Nazi, Photo-Lettering, sign, signage, type, typeface, typography, zeitgeist